Consciousness, Literature and the Arts
Archive
Articles and Essays
Yvonne Adalian (1:3, December 2000)
The Art of Theatre: Magic or Illusion?
Alexey Aliev (10:2, August 2009)
The Intentional-Attributive Definition of Art
Serena Anderlini-D’Onofrio (3:1, April 2002)
Grammars of Touch: Physical, Spiritual, and Erotic Bodies in Massage Therapy
Peter Emeka Aniago (12:3, December 2011)
Cultural Signification of Gestures as Showmanship in Soro
Greg Andonian (2:1, April 2001)
The Three Caves of European Identity: From critical to Creative Thinking
Greg Andonian (4:1, April 2003)
The Symbolic Order of Architecture in the Information Age
Isabel M. Andrés (7:3, December 2006)
Shelley Ashdown (13:1, April 2012)
“My Heart Passed Through My Mouth”: African Telling of a Most Afraid Experience
Stephan Atzert (6:3, December 2005)
Concepts of Liberation: Schopenhauer between Freud, the Buddha and Idealist Aesthetics
Violeta Avetisian (15:1, April 2014)
Nelya Babynets (16:3, December 2015)
Theatrical Corpses in The Spanish Tragedy: Props or Protagonists
James J. Balakier (7:3, December 2006)
Thomas Traherne's "Thoughts" Poems and the Four Levels of Speech in Vedic Poetics
Keneth Bamuturaki (17:3, December 2016)
Keneth Bamuturaki (19:1, April 2019)
Daniel Barnett (15:1, April 2014)
Music, Language, Memory and Cinema: Three books on the cognition of music
Krishna Barua(7:3, December 2006)
Sheila Bauer-Gatsos (16:3, December)
Born to Sorrow: Empathic Workouts in Mrs. Henry Wood’s East Lynne
Alan Beck (1:2, July 2000)
Cognitive Mapping and Radio Drama
Gary Beck (17:1, April 2016)
Is the Poet Obsolete? The Role of the Artist in Society
Michael Betancourt (6:3, December 2005)
Paranoiac-criticism, Salvador Dalí, Archibald and Superposition in Interpreting Double Images
Efrat Biberman (6:1, April 2005)
Walter Bilderback (4:3, December 2003)
The Naomi Wallace Festival and 9/11
R.J.Bird (6:1, April 2005)
Shakespeare as Mathematician : The Use of Iteration and Recursion in Much Ado About Nothing
Marcia Birken and Anne C. Coon (2:1, April 2001)
The Pedagogical and Epistemological Uses of Analogy in Poetry and Mathematics
Aondowase Boh (16:2, August 2015)
Lucy Bolton (8:3, December 2007)
The Woman who saw The Man Who Cried: A Study of Female Consciousness On Screen
Anna Bonshek (5:1, April 2004)
Reverie II—A Video Installation: Revelation, Consciousness and Peace
Thorsten Botz-Bornstein (8:2, August 2007)
Christine Boyko-Head (3:2, August 2002)
Mirroring the Split Subject: Jean Genet’s The Balcony
Per Brask (4:2, July 2003)
Per K. Brask (7:2, August 2006)
ACTING AND ARCHETYPES : A point of departure
Peter Bray (10:1, April 2009)
Lara Braitstein (5:2, August 2004)
No Views is Good Views: A Comparative Study of Nagarjuna’s Sunyata and Derrida’s Différance
Troy Earl Camplin (7:2, August 2006)
Literature as a Game: Game-Play in Reading, Creating, and Understanding Literature
Howard Cannatella (1:1, April 2000)
Is Play Educationally Important in the Teaching of Art?
Bryan Carter, Joi Moore and Chris Amelung (1:3, December 2000)
Seeing is Believing: Advanced Visualization and the Use of Virtual Reality in an African American Literature Cours
Soubhik Chakraborty, Swarima Tewari and Gargi Akhoury (11:3, December 2010)
What do the fractals tell about a raga? A case study in raga Bhupali
Yuan-chin Chang (9:2, August 2008)
Constructed Identities, the Medical Gaze and Social Power Spaces in Margaret Edson’s Wit
L.Cignoni, L.Godding, G.Salvoni, G.Turrini (4:1, April 2003)
Peer-supported foreign language learning: a proposal
David Clarke (15:2, August 2014)
From neurotransmitters to aesthetic experience: Jay Schulkin's Reflections on the Musical Mind
Christophe Collard (13:1, April 2012)
Operationalizing Hybridity, Performing Analogies: Towards a Theoretical Argument
Natasha Conde (8:1, April 2007)
Anne C. Coon and Marcia Birken (4:1, April 2003)
Developing Analogical Thinking and Creativity in University Students
J.M. Corry (13:2, August 2012)
Religious Criticism in Miguel Mihura’s Ninette: Modas de París
Jennifer Marie Corry (17:1, April 2016)
Narcissistic Perceptions in Paloma Pedrero’s Resguardo personal
Emilie Crapoulet (8:3, December 2007)
Consciousness and the Imagination in the Music of the French Impressionists
Edwin Creely (8:2, August 2007)
Operating postmodernly—my intentional postmodern theatre
Edwin Creely (16:3, December 2015)
The third way. An alternative notion of god. An essay
Mitch Cunningham (13:1, April 2012)
The Ironic Uncanny, Uncanny Ironies and David Lynch
Jerri Daboo (8:3, December 2007)
The Altering I/Eye: Consciousness, ‘Self’, and the New Paradigm in Acting
Gil Dekel (9:1, April 2008)
“Waterised Words”: Exhibition exploring self-knowledge through art practice, as part of PhD research
Tal Dekel (8:3, December 2007)
Center–Periphery Relations: Women’s Art in Israel during the 1970s, The Case of Miriam Sharo
Florian Demont (9:2, August 2008)
The Expression of Self-consciousness in Kamla Das's “An Introduction”
Bani Dayal Dhir and V. Prem Lata (13:3, December 2012)
From Deadly Winter to Sprightly Spring: A Spiritual Odyssey
Jonathan Michael Dickstein (14:3, December 2013)
On the Transdisciplinarity of Freudian Sublimation
Mark A. Doherty (18:2, August 2017)
The Adverb Surfaces in Poetic Prose and Intimates Dramatic Dialogue
Mark A. Doherty (18:3, December 2017)
The Evolving Storm of Science as Captured in English Verse
Darren Domsky (2:2, July 2001)
Jane Duran (8:2, August 2007)
Nepal and South Asian Buddhist Art: Appropriation of a Symbolic Tradition
Jane Duran (9:3, December 2008)
Georges de la Tour and the Significance of Light
Jane Duran (11:1, April 2010)
Mohenjo-Daro: The Origins of a Tradition
Jane Duran (12:3, December 2011)
Mahabalipuram: Mythography and the Aesthetic
Jane Duran (14:2, August 2013)
Quetzalcoatl and Mythography: Water, Plume and Symbol
Jane Duran (15:3, December 2014)
The Architecture of Goa: India and the Colonial
Jane Duran (18:2, August 2017)
The Florentine Codex: Culture and the Mestizaje
Anna K. England (14:2, August 2013)
The Contemporary Public Camp Art in Poland
Shahab Entezareghaem (19:1, April 2018)
Vito Evola (6:2, August 2005)
A Hermeneutic Model of Sacred Literature and Everyday Revelation
Osita C. Ezenwanebe (7:1, April 2006)
Feminist Consciousness and Nigerian Theatre
Terry Fairchild (3:2, August 2002)
Oedipus Rex: The Sins of the Father
Terry Fairchild (5:3, December 2004)
Maharishi Vedic Science and Literary Theory
Terry Fairchild (10:1, April 2009)
Infinite Correlation in Pynchon's Crying of Lot 49
Attilio Favorini (7:1, April 2006)
The Remembered Present in Samuel Beckett and Gerald Edelman
Paul Fearne (10:2, August 2009)
Nijinsky: Ballet, Schizophrenic Consciousness and Philosophy
Franco Ferrarini (17:3, December 2016)
Cinema and the Unconscious Mind: from Psychoanalysis to Neurosciences
Catherine Fitzmaurice (1:1, April 2000)
Shannon Foskett (8:3, December 2007)
Towards A Neuroaesthetics of Film: Eisenstein, Brakhage and Mantic Montage
John Freeman (2:2, July 2001)
Autobiographical Spectatorship
Vladimir Fomichov and Olga Fomichova (2:1, April 2001)
A Many-Staged, Humanities-Based Method of Realizing the Thought-Producing Self of the Child
Olga S. Fomichova and Nadezhda V. Sidorova (4:1, April 2003)
Recognition by the Child of a Transition Moment Fixed in a Picture
Sybille Fritsch-Oppermann (2:3, December 2001)
Particularities and Universals, Ethics and Aesthetics – How Art Can Lead to Spiritual Experience
Vivienne Glance (12:3, December 2011)
Theatre as ‘thinking space’: performing immortality in Staring at the Sun
Brian Glaser (19:1, April 2018)
Cosmopolitanism and Internal Difference: The Enduring Strangeness of My Life
Dimple Godiwala and William S Haney II (5:2, August 2004)
Editorial, Special Issue, Jacques Derrida's Indian Philosophical Subtext
Justin Good (5:3, December 2004)
Why photographs are not more realistic than paintings
Rui Coimbra Gonçalves (12:1, April 2011)
The triumph of individualism in a modern Wagnerian director’s conception to Rhinegold
Christie Gramm (18:2, August 2017)
The Integration of Imagination and Real Life in Lord Jim
José Luis Guijarro (6:3, December 2005)
IMAGINE : a likely way to find Art and Literature wherever they may hide
Li Guo (12:3, December 2011)
Making History Anew: Feminine Melodrama in Eileen Chang’s Love in a Fallen City (1943)
Malvika Gupta (16:3, December 2015)
Consciousness, intuition and sentience: What is an author
Tamara Gurtueva (5:3, December 2004)
Man in the ontological space of the newest time
Fee Alexandra Haase (6:1, April 2005)
Opening A colorful Lexico: The Relation between Synesthesia and the Production of Metaphors. Or: "Is reading synesthetic?"
Fee-Alexandra Haase (9:2, August 2008)
Clinton Hale (16:2, August 2015)
Umberto Eco’s The Mysterious Flame of Queen Loana
Annemarie Hamlin (3:2, August 2002)
Consciousness and Communication in Jewett’s The Country of the Pointed Firs
Anita Hammer (9:3, December 2008)
Anita Hammer (12:1, April 2011)
Psychotherapy as Spiritual Performance: an interview with Paul Bailey
Anita Hammer (15:2, August 2014)
Children's and young people's participation in Spiritual Funerary Ritual
William S. Haney II (5:1, April 2004)
Frankenstein: The Monster’s Constructedness and the Narrativity of Consciousness
William S. Haney II (5:2, August 2004)
Derrida’s Indian Literary Subtext
William S. Haney II (7:1, April 2006)
Biotechnology and What Makes Us Human: Beyond the Final Frontier
William S. Haney II (10:1, April 2009)
Philip K. Dick’s We Can Build You and Do Androids Dream of Electric Sheep?: The Effect of Limited Human Development
William S. Haney II (10:3, December 2009)
Consciousness and the Posthuman in Short Fiction
William S. Haney II (11:3, December 2010)
Eugène Ionesco’s Rhinoceros: Defiance vs. Conformism
Chris Hanley (7:2, August 2006)
Beyond Calculation: Politics and Aesthetics in George Orwell
Jennifer Hansen (3:3, December 2002)
Necessary Fictions: Memoir and Self-Making
Justin Harmon (10:2, August 2009)
Dustin Hellberg (15:3, December 2014)
The Ghosts I Do Know: Rhythm, Dickinson, Crane
Dustin Hellberg (17:3, December 2016)
Dignity, Evolution & Literary Representation: Dignity as a Common Pool Resource
Ralf Hertel (8:1, April 2007)
The eye in the text: John Banville’s Frames (1989-1995)
Kensei Hiwaki (2:1, April 2001)
Thought-Frame Enhancement for the Age of Digitized Globalisation
Kensei Hiwaki (4:1, April 2003)
Innovative Education for Important Issues under Globalization
Patrick Colm Hogan (6:2, August 2005)
Editor's introduction to the Special Issue on Literary Universals
Patrick Colm Hogan (6:2, August 2005)
Literary Universals and their Cultural Traditions: The Case of Poetic Imagery
Peter Huk (5:2, August 2004)
Derrida, A Renunciant? The Gift of the Bhagavad Gita in The Gift of Death
Christina Iluzada (10:3, December 2009)
"Whelm'd in Deeper Gulps": Bipolar Disorder and the Poetry of William Cowper
Wisam Kh. Abdul Jabbar (13:3, December 2012)
The Freudian Model of the Psyche in Two of Henry James’s Short Stories
Jude James (6:1, April 2005)
BEYOND CONVENTION: Border Crossing From The Social Body To The Porous Body: The Porous Body As Ontological Site - Interface For A-Located Realities
Gur Pyari Jandial (15:2, August 2014)
Gur Pyari Jandial (19:1, April 2018)
Milan Jaros (4:2, July 2003)
Onto-Poetic Signatures of Mathematical Analogy in Arts and Literature
Ryan J. Johnson (12:2, August 2011)
Locating the Abject in the Third Critique
Mbachaga Desen Jonathan and Mabel Maha (13:1, April 2012)
Theatre, Religion and National Integration: A Study of Regina Ode's The Masquerade called Religion
Anwen Jones (1:3, December 2000)
The crisis of French Symbolist drama
John Chris Jones (1:2, July 2000)
Kelly Jones (8:3, December 2007)
Richard Elfyn Jones (6:3, December 2005)
Renu Josan (13:2, August 2012)
Striking a Spiritual Chord: Mystical Reflections in the Poetry of Rumi and Kabir
Ron Kaiser (8:1, April 2007)
Pleasure and Pain: the Sublime in William Wordsworth and Giacomo Leopardi
Kalamandalam Radhika (1:1, April 2000)
Geoffrey Kay (6:3, December 2005)
Transcendence and Throwing: The Experience of Making Pottery
Joe Keener (14:3, December 2013)
Othello: The Multi-Level Conflict of the Darwinian Psychomachia
Christopher Kelen (3:1, April 2002)
Christopher Kelen and Carol Archer (5:1, April 2004)
Over the border, the everyday lapse
Khan Farhadiba (9:3, December 2008)
The Narrative Technique in Nabokov’s Pale Fire: An Analysis
Violetta Krawczyk- Wasilewska (4:3, December 2003)
Post September 11: Oral and Visual Folklore in Poland as an Expression of the Global Fear
Christopher M. Kuipers (6:2, August 2005)
The Diachronic Canon: Two Possible Universals in the Evolution of Literary Anthologies
Navjotika Kumar (14:1, April 2013)
On the Materiality of Language in Jenny Holzer’s Work
Michael Larrass (1:1, April 2000)
The Evolution of Awareness Parallels and Contrasts in the Bhagavad Gita and Macbeth
Michael Larrass (3:3, December 2002)
Carl Lavery and Ralph Yarrow (5:1, April 2004)
Genet's Sacred Theatre: Practice and Politics
Suzanne LaLonde (16:1, April 2015)
The Construction of a Conscious Mind in Haruki Murakami’s “A Shinagawa Monkey”
David Layton (11:2, August 2010)
Male and Female Archetypes in Doctor Who
Lisa Lewis (1:3, December 2000)
Adnabod Nid Gwybod: The Ghost and the Cloud (Perspectives on Performance and Identity)
Kimberly Mosher Lockwood (8:2, August 2007)
Metaphor as Guided Experience: Metaphors and Situation Models
Malte Chr. Lyneborg (9:1, April 2008)
Andrew D Lyons (2:2, July 2001)
Synaesthesia: A Cognitive Model of Cross-Modal Association
Ashley Majzels (9:1, April 2008)
John Cage’s ‘Chance’ and Richard Foreman’s ‘Consciousness’: Performing the Sublime
Peter Malekin and Ralph Yarrow (1:2, July 2000)
John Marmysz (2:3, December 2001)
Humor, Sublimity and Incongruity
Hudson Marques da Silva (15:3, December 2014)
The Study of Literary Fiction in Brazilian Technical Schooling: a possible way for consciousness
JonathanDesen Mbachaga (15:3, December 2014)
Nigerian Drama and Women in Politics: The Example of Irene Salami's Sweet Revenge
John McClellan (10:3, December 2009)
Jade McCutcheon (2:2, July 2001)
Theatre - Re-assessing the Sacred in Actor Training
Jade Rosina McCutcheon (9:1, April 2008)
Post Human Interactivity on the Global Stage: The Culture of Simulation
Tamar Mebuke (12:2, August 2011)
Analyses of the Problem of Intertextuality
Burton Melnick (13:3, December 2012)
Daniel Meyer-Dinkgräfe (4:2, July 2003)
Staging Consciousess: Updating Demastes
Daniel Meyer-Dinkgräfe (4:3, December 2003)
Consciousness, Theatre and Terrorism
Narges Montakhabi (12:2, August 2011)
Memory, Consciousness, Deleuze: The Case of Samuel Beckett’s “Whoroscope”
Evangelia Moula (11:2, August 2010)
Susan Mower (10:2, August 2009)
Etienne Decroux: A Corporeal Consciousness
Susan Mower (11:2, August 2010)
Peter Brook’s Mahabharata: An Intercultural Consciousness
Susan Mower (14:2, August 2013)
Raising up All that Fall: Samuel Beckett and the (Un)Holy Theatre of Phantoms
Dyutiman Mukhopadhyay (16:1, April 2015)
The Dual Phase Oscillation Hypothesis and the Neuropsychology of Docu-Fiction Film
Joseph Naimo (3:3, December 2002)
Space-Time-Event-Motion (STEM) – a better metaphor and a new concept!
Gunasekaran Narayanan (14:1, April 2013)
Stream of Consciousness Technique in Arthur Miller’s Death of a Salesman
Phil Ndlela (17:2, August 2016)
Barine Saana Ngaage (7:1, April 2006)
Political-economic Consciousness: Songs of Mosop and Fowa
Barine Saana Ngaage (11:1, April 2010)
Consciousness, Criminality and Responses to Kuru (tortoise) in Ogoni Tales
Barine Saana Ngaage (12:2, August 2011)
Economic Consciousness in Nigerian Tales
Laura Nutten (2:3, December 2001)
Madness and Signification in A Mouthful of Birds
Marc Ouellette (14:1, April 2013)
Nobody Here Does Anything For Nothing: Reciprocity and Gender in The Wings of the Dove
Quan Wang (12:1, April 2011)
Interpretative Strategies in “No Name Woman”
Daragh O’Reilly (1:3, December 2000)
Who’s Writing Whom? The Implications of a Plural Self for the Creative Writing Process
Leonard Orr (8:2, August 2007)
Transgression and Victim: Mnemic Traces in Conrad's Fiction
Anthony J. Palmer (5:1, April 2004)
Consciousness and Varying Musical Systems
Anthony J. Palmer (10:1, April 2009)
Unconscious Apprehension of Metapatterns Expressed Consciously Through Musical Form
Lisa Pavlik-Malone (8:1, April 2007)
“Home IS Where the Cart IS”: Semantic Inflections of Self and Object
Lisa Pavlik-Malone (9:1, April 2008)
“They’re All of Them So Lovely”: Semantic Effects of “Dollification” on Figurative Images of Women
Lisa Pavlik-Malone (11:1, April 2010)
Into the Eyes of the “I Clown“: A Metaphor for the Subconscious Imagination
David Pendery (7:3, December 2006)
Robert Pepperell (5:3, December 2004)
Robert Pepperell (10:2, August 2009)
The Conscious Act of Looking at a Painting
Christopher Perricone (9:3, December 2008)
Shakespeare’s Procreation Sonnets: a Darwinian view
David Petersen (1:1, April 2000)
Creativity, Structure and Randomness
Deinya Phenix (17:1, April 2016)
Race consciousness, Diaspora, and Baianidade: Observations from an Epic Global Party
Jennifer Ewing Pierce (5:3, December 2004)
The Actor-Problem: Live and Filmed Performance and Classical Cognitivism
Frances Piper (7:2, August 2006)
Keeping Mum: Towards a ‘Voix Maternelle’ in Howard Barker’s Wounds to the Face
Carole Brooks Platt (18:3, December 2017)
Seers and the Foreseen: Breton, Jung and the Real Nadja
Paul Andrew Powell (6:3, December 2005)
The Second Coming as an Emergent property of Global Semiosis
Cormac Power (11:3, December 2010)
Making Nothing Out of Something: Concepts of Nothingness, Sartre, and the Theatre of Peter Brook
Teresa Prudente (11:2, August 2010)
Gordon Ramsay (4:2, July 2003)
Dian Duchin Reed (10:1, April 2009)
The Wisdom of Shakespeare’s Fools
Shahida Riaz (16:2, August 2015)
Debra Ripley (10:2, August 2009)
Herman Melville’s Exploitation of Cognitive Features: Amasa Delano as Paradigm of Failure
Kenneth Robbins (4:3, December 2003)
Jennie Rothenberg (3:1, April 2002)
Swallowing the Sky: Eugéne Ionesco and the Physiology of Happiness
Sébastien Ruffo (4:2, July 2003)
The Phonostylistics of the Dramatic Character
Jessica Runde (8:1, April 2007)
Nava Sevilla Sadeh (15:1, April 2014)
Nava Sevilla Sadeh (17:2, August 2016)
Sara Dehghanzadeh Sahi (12:2, August 2011)
The Relationship between Selfhood and Otherness in Great Expectations: A Lacanian Reading
Aline de Mello Sanfelici (12:3, December 2011)
No Poem is Neutral: Activist Writing in the Poetry of Dionne Brand and Jeannette Armstrong
T.Sarada (13:1, April 2012)
Whose Religion is it Anyway? Decentering the White Male God in African American Women’s Theatre
Arup Jyoti Sarma (15:2, August 2014)
Art as an Expression of Personality: An Approach to Tagore’s Concept of Art
Alison Scott-Baumann and Christopher Norris (5:2, August 2004)
Derrida and Indian Thought: prospects for an East/West dialogue? (A conversation between Alison Scott-Baumann and Christopher Norris)
Barbara Sellers-Young (3:2, August 2002)
Breath, Perception, and Action: The Body and Critical Thinking
Barbara Sellers-Young (9:1, April 2008)
Consciousness, Contemplation and the Academy
Simon Shaw-Miller (1:3, December 2000)
Skriabin and Obukhov: Mysterium & La livre de vie The concept of artistic synthesis.
Simon Shaw-Miller (6:3, December 2005)
Andy and John Get Ordinary: Ontological Issues in the 1960’s Work of Warhol and Cage
Kiran Sikka and Amrita Sharma (14:1, April 2013)
Reworking Metaphors in Poetry: A Case Study of Maharshi Ramana’s Poetry
Ioana Sion (7:1, April 2006)
The Shape of the Beckettian Self: Godot and the Jungian Mandala
Priyanka Tripathi (17:3, December 2016)
Reinventing the Intimate Voices: A Close Reading of Indian Women’s Autobiography in English
John Vignaux Smyth (11:1, April 2010)
Stefán Snævarr (1:2, July 2000)
Anthony Squiers (12:1, April 2011)
Bertolt Brecht and the Ethics of Praxis
Anthony Squiers (14:1, April 2013)
Narrative, Consciousness and Cognition in the Works of Bertolt Brecht
Smriti Srivastava and Varsha Jha (16:2, August 2015)
Religious, Non-Religious and the Changing Consciousness of the Ramlila
Justin Swink (13:1, April 2012)
Lily Briscoe/Lily Shakespeare: The Androgynous Mind in To the Lighthouse
Justin Swink (16:1, April 2015)
"Dreaming Awake": Reading Walden as Phantasy
Nicole Szendy (2:1, April 2001)
Nicole Szendy (4:1, April 2003)
Illusion and creativity, where does fascination come from ?
Gregory Frank Tague (2:2, July 2001)
The Peculiar Morality of the Artist
Leena Taneja (5:2, August 2004)
Tracing Difference: The Subtext of Derridean and Gaudiya Vaishnava Theology
Aldo Tassi (1:2, July 2000)
Grant Taylor and Nick Low (3:3, December 2002)
Phantoms in the Corridor: Portal Systems in the Digital Mind
Susan Thompson (4:3, December 2003)
The 1985 Artists' Brigades, Mexico City: An Account From the Streets
Dylan Trigg (5:1, April 2004)
From the Divine to the Dissolute: Schopenhauer and Death in Venice
Craig Turner (9:2, August 2008)
The Association Process in Stanislavski’s “Threshold of the Subconscious”
Jack Turner (5:1, April 2004)
Dream Journey: An Approach to Pym
Linda Turner (2:1, April 2001)
Using Artistic Expression to Overcome Computer Anxiety: A Productive Partnership
Linda Turner (4:1, April 2003)
Genealogy: A Bridge on the Road Between Philosophical Inquiry and the Offerings of the Computer Age
Tere Vadén (2:3, December 2001)
Dreamwork and the Subject - A Surrealist Interpretation
Shilpa Venkatchalam (8:1, April 2007)
In Search of Definitions: Literature and Philosophy
Donald R. Wehrs (6:2, August 2005)
William Weiss (1:1, April 2000)
The Ego and the Self in Actor Training
William Weiss (7:3, December 2006)
How do you apply “spirituality” in theatre training?
Charles Whitehead (11:3, December 2010)
Social Mirror Theory, the Arts, and the Evolution of Human Self-Consciousness
Charles Whitehead (12:1, April 2011)
Kimmika Williams-Witherspoon (18:1, April 2017)
Performance Poetry: Auto-Ethnography and Engagement As Social Activist Theater
Gerda van de Windt (6:3, December 2005)
Artistic Creativity: Sublime Expressions of Inner Body Wisdom
Michael Woods (8:3, December 2007)
Some Remarks on Musical Meanin
Frederick R. Worth (14:3, December 2013)
Poems That Open and Shut: The Accordion-Fold Poems of Blaise Cendrars and Octavio Paz
Zhu Yanyan and Wang Quan (8:3, December 2007)
Quan Wang (16:1, April 2015)
The Influence of Chuang Tzu on Jacques Lacan’s Concept of Language
Michael A. Winkelman (17:2, August 2016)
“To Preserve This Vessel”: Jealousy, Evolutionary Biology, and Othello
Iris M. Yob (10:2, August 2009)
Response to Anthony Palmer, “Unconscious Apprehension of Metapatterns Expressed Consciously Through Musical Form”
Harry Youtt (4:3, December 2003)
Artists of Denial and Avoidance after September 11, 2001. (A Very Unorthodox View from the U.S.)
Ștefan Zaharia (18:2, August 2017)
Creativity in scriptwriting. Flow of consciousness