Consciousness, Literature and the Arts
Archive
Biographies of Contributors
Serena
Anderlini-D’Onofrio was born in Rome, Italy, in 1954. She graduated with a Laurea in lingue moderne from the
University of Sassari in 1979. In
1981 she came to the United States to pursue graduate studies and earned her
Ph.D. in Comparative Literature from the University of California, Riverside.
From
1987 to 1991 she has taught French and English at two universities, Illinois
State University, in Normal, and Vanderbilt University, in Nashville, Tennessee.
In 1991 Anderlini-D’Onofrio moved to the San Diego area. For six years she was an independent scholar and activist in
the Gay, Lesbian, Bisexual, and Transgender community, working on safer-sex
education and serving as a coordinator in the Bisexual Forum of San Diego.
Simultaneously she studied the healing arts and became a practitioner of
holistic healing therapy. When her
book on women’s participation in modern theater was accepted for publication
in 1997, she took a position as Assistant Professor at the University of Puerto
Rico, Mayaguez, where she is currently Associate Professor in the Humanities.
As
a graduate student and new Ph.D., Anderlini-D’Onofrio received numerous study
and research grants, including two Graduate-Council Fellowships, a Phi Beta
Kappa International Award, and a research scholarship from the Italian Cultural
Institute. Recently, she received
the Harry Ransom Humanities Research Center Fellowship, which she used in
Austin, Texas to research the Lillian Hellman papers.
The University of Puerto Rico awarded her a Seed-Money Grant to work on
new Italian filmmakers and immigration.
Anderlini-D’Onofrio’s
publications include: The
“Weak” Subject: On Modernity, Eros, and Women’s Playwriting (New
Jersey: Associated University Presses, 1998, 352 pages.)
This book is a comparative study of women’s authorship in the modern
theater. She has published numerous articles in Atenea, Carte
Italiane, Diacritics, Feminist Issues, Italian Culture, The Journal of Dramatic
Criticism and Theory, The Journal of Gender Studies, Leggere Donna, Theater,
VIA: Voices in Italian Americana, Women’s Studies International Forum, Zengers,
and Z Magazine. She has
also contributed to numerous books, including Feminine Feminists: Cultural
Practices in Italy, Natalia Ginzburg: A Voice of the Twentieth Century, and
Franca Rame: A Woman Onstage. She
is the co-translator of In Spite of Plato, a book of feminist theory by
Italian philosopher Adriana Cavarero, for Polity Press, 1995.
Anderlini-D’Onofrio has finished a memoir, Sacred Bi Love, and
is at work on a book of ecofeminist theory focusing on the Gaia Hypothesis and
the controversies in AIDS science.
Email:
serena1@centennialpr.net
WebSite:
www.geocities.com/serenaserena2000