Consciousness, Literature and the Arts
Archive
Volume 5 Number 1, April 2004
_______________________________________________________________
Gary
D. Fireman, Ted E. McVay, Jr., and Owen J. Flanagan, eds.,
Narrative, and Consciousness: Literature, Psychology, and the Brain Oxford: Oxford
UP, 2003. 252 pages,
ISBN 019-516172-6 Hardback: $74.00 Paperback: $35.00.
Reviewed by
Jacksonville State University, USA
A psychologist friend of mine once told me that her primary function as a
therapist is to help her patients understand how and why they “story their
lives.” Her comfortable use of the noun story as a verb indicates the
degree to which narrative theory has infiltrated the domain of psychology,
appropriating literary language as psychological tool.
This entire volume of articles, collected and edited by Fireman, McVay
and Flanagan, continues this trend, making the connection between literature,
psychology, and the biological sciences explicit.
Narrative, the sequencing of life-events into a cohesive, linear
structure that situates itself into a cultural and social milieu, becomes the
point at which literature, psychology, and neuro-science all collide, intersect,
and inform each other.
This
collection of articles, all originally given at an interdisciplinary conference
(of the same name as the title of the book) at Texas Tech University in February
1999, attempts to “provide a distinct explanation for narrative in relation to
consciousness,” while also recognizing that each “line of
analysis”—phenomenological, psychological, and neurobiological—“has
legitimate aims” of its own (3). Like most collections, the success of each individual article
varies widely (some have more field-specific jargon than others, for example),
but for the most part, the editors have captured a cross-section of the most
current dialogue in the area. Reading this volume will update anyone who has
been out of touch with any of these areas with a minimum of anguish.
In addition, the editors have done an excellent job of organizing the
articles into groups of two that complement each other, and all the groups
complement the field as a whole.
The
chapters each contain two articles, ranging from considerations of how and when
children come into their conscious awareness; to the role of narrative in
“autobiographical memory,” which the authors define as “a report of [a
person’s] own life anywhere in length from a single event to an entire life
story,” a type of “narrative reasoning” that is only one process among
many used in recollection but is “probably the least well understood” (53);
to the role of autobiographical memory in the construction of the self in
adults; to “narrative disruptions” in the construction of the self; and
finally, to the “naturalist model” of narrative and consciousness based on
empirical evidence and applied to the sexual identities.
Out of the ten articles, only one uses a work of literature (James
Phelan’s article, entitled “Dual Focalization, Retrospective Fictional
Autobiography, and the Ethics of Lolita”) for illustration.
However, all of the works acknowledge
the
powerful role for narrative [that] is realized by the linking of personal
memories to present conditions and future hopes, by organizing, translating, and
providing continuity and coherence to experience.
Self-awareness and self-knowledge are constructed, to a significant
degree, through narrative as we compose and assemble stories for ourselves and
our world. (4)
Therefore, to a certain degree,
while this philosophy certainly helps to validate literature as one of the most
significant of human endeavors, it also takes the act of narration away from the
exclusive hands of the “writer,” an occupation, and places it squarely into
the possession of every human being on the planet, making the construction of
stories as human an activity as talking, walking, breathing, or laughing.
It would seem appropriate then that the focus of this collection of
essays is not on “literature,” per se, but rather on the act of
constructing narrative, an act which not only entertains us, but is far more
fundamental to human life than mere entertainment. As the editors put it, “narrative does not merely capture
aspects of the self for description, communication, and examination; narrative
constructs the self” (5).
While it is clear that
identity is dependent upon memory in many important ways, it is just as clear
that human memory is one of the most unreliable of human characteristics. It
is no wonder, then, that individual psychology is so vulnerable to disruption,
from minor anxieties to full-blown neurotic insecurities, to self-loathing and
self-destructive behavior. If we
are a deeply insecure species, it may be precisely because our identities are
built on foundations of shifting sand. Although
Einstein and Flanagan, in their concluding article, “Sexual Identities and
Narratives of Self,” maintain that “whole-body explanations may lead us to a
better understanding of even how perceptual events play a role in constituting
ourselves and developing our narratives of self” (230), no explanation, either
partial- or whole-body, has yet to compensate for the fundamental problem: The
narratives upon which we constitute ourselves are made up of, based on, and
revolve around memories that have meaning only in the context of a single life,
and even then, they offer little help. Unfortunately, while most of these
articles acknowledge the unreliability of memory, they do not fully grapple with
that flaw—at least not to this reviewer’s satisfaction. Perhaps future
studies can take up the issue, find a satisfactory explanation for it, and even
someday, figure out a solution to what is now completely undependable: human
memory. Until that day, we have no choice but to acknowledge and find
a way to live with the consequences of such unreliability.