Conference Schedule
Draft 18 May 2015
This version of the schedule will form the basis of the conference brochure
Changes to this schedule will be announced at the conference on a dedicated conference noticeboard.
Wednesday 10 June 8.30 - 9.30
Registration, Callahan Center
Wednesday 10 June 9.30-10.00
Founders Hall
Welcome and introduction to the Conference
Timothy Houlihan, Ph.D., Provost of St. Francis College
Gregory Tague, Daniel Meyer-Dinkgräfe, Conference Directors
Wednesday 10 June 10.00-11.30
Founders Hall
Keynote
Daniel Meyer-Dinkgräfe
University of Lincoln, UK
Theatre without Conflict?
Chair: Gregory Tague
Wednesday 10 June 11.30-12.00
Callahan Center
Break and Book Stalls
Wednesday 10 June 12.00-13.00
Founders Hall
Plenary Session
Karen Lauria Saillant,
International Opera Theater, Philadelphia
Operatic Photosynthesis: light transference in the operatic idiom in harmony with nature
Chair: Daniel Meyer-Dinkgräfe
Wednesday 10 June 13.00 – 14.00
Callahan Center
Lunch and Book Stalls
Wednesday 10 June 14.00 – 16.00 Parallel Sessions 1
Panel 1
Topic: Film (1) Venue: 6214 Chair: Michele Montecalvo
Cedric van Eenoo, USA
Experimental Narratives
Deniz Gürgen, Turkey
Interpreting Chronotype as a Historical Tool in Film
Nilay Ulusoy, Turkey
Are Turkish Film Stars far from Turkish Democracy?
Derek Kanowsky, USA
Cinematic Being: The Ontological Kinship of Film and Consciousness
Panel 2
Topic: Contemporary Novel Venue: 6403 Chair: Gregory F. Tague
Michael A. Winkelman, USA
Recording the Atoms as They Fall upon the Mind: Thinks… by David Lodge
Hillel Broder, USA
Wandering Bodies, Wandering Minds: The Consciousness of Walking Selves in Contemporary Fiction
Panel 3
Topic: Avant-Gardes Venue: 6402 Chair: Daniel Meyer-Dinkgräfe
Stacy Stingle, USA
Surrealism and Subjectivity in the Space of the Modern City in André Breton's Nadja
Sevgi Tosuner, Turkey
The Shift of Theatrical Consciousness: From Conventional to Avant-garde
Bahar Inal, Turkey
Rebellious Consciousness in Antonin Artaud’s Theater of Cruelty and Jean Genet’s Ritual Theater
Panel 4
Topic: Art, Music and Poetry Venue: 5403 Chair: Benjamin Wood
Kris Falk, USA
Tibetan Buddhist Theories of Consciousness as a Model for Music Analysis
Bahadir Gülmez, Turkey
Composer, Writer, Painter: Pursuit of an unattainable knowledge or a passionate conception of life
Jason Lee, UK
Whose Voice Is It Anyway? Epiphany, the hearing of voices in
literature and science, and the road to transcendent originality.
David Izzo, USA
Bruce Springsteen Live: Transcendental Celebration—a Vehicle for Mystical Transcendence.
Wednesday 10 June 14.00-16.00
Room 4403
Delegate video presentations.
Tamar Mebuke (via video)
Georgian State Technical University, Georgia
Archetype Development in Narrative (Diachronic Study)
Felipe Henrique Monteiro Oliveira (via video)
Universidade Federal da Bahia, Brazil
Brazilian differentiated bodies in performance
Felipe Henrique Monteiro Oliveira (via video)
Universidade Federal da Bahia, Brazil
Cruor arte contemporanea: counter-culturalist reverberations in the post-dramatic Brazilian scene
These are also available via St Francis College Youtube Channel.
Wednesday 10 June 16.00-16.30
Callahan Center
Break and Book Stalls
Wednesday 10 June 16.30 – 18.00
Parallel Sessions 2
Panel 5
Topic: Poetry Venue: 6214 Chair: David Izzo
Iris Cushing, USA
Inhabited Text: Meaning, Materiality and Possibility in Alison Knowles’ “A House of Dust”
Abdullahi S. Abubakar, Nigeria
Myth and Gender Consciousness in the Works of Selected Nigerian Poets
Panel 6
Topic: Beckett Venue: 6403 Chair: Timothy Dugan
Aleksandra Wachacz, Poland,
Saiful Saleem, USA
Automatism, Consciousness and Death in Samuel Beckett’s En attendant Godot
Panel 7
Topic: USA Venue: 6402 Chair: Dustin Hellberg
Ki Dae Kwon, South Korea
The Angels in Angels: A Study of the Sacralization of the Other in Kushner’s Angels in America
Dustin Hellberg, South Korea
We Are Not Alone: Literal and Literary Altruism
Panel 8
Topic: Space Venue: 5403 Chair: Alison Dell
Christine Farina and Ian Angotti , USA
The Chaos of Order: The Intuitive Space beyond the Frame of the Film: An Experimental Video Told Through an Experimental Presentational Medium
Park Soon, South Korea
Space Consciousness of Park Ji Won― Focused on his literary works, kimoon(記文, record)
Panel 9
Topic: Medieval and Early Modern Texts Venue: 4403 Chair: Elizabeth Albrecht
Nelya Babynets, Mexico
Corpse as Protagonist in The Spanish Tragedy by Thomas Kyd: Visualizing the Invisible
Shahab Entezareghaem, France
Consciousness and Jacobean Drama: The Case of Cyril Tourneur's The Revenger's Tragedy
Elizabeth Albrecht, USA
The Wife of Bath and the Loathely Hag
Panel 10
Topic: Consciousness Venue: 4202 Chair: Daniel Meyer-Dinkgräfe
Karolina Dobrosz-Michiewicz, Poland
It's a good idea to look out for number one. Who else will?: about the impact of SELF-system activation on social influence techniques effectiveness.
Faye Ran, USA
The Autobiographical Self: Self-Consciousness as a Transformative Mirror
Yoon Ha Kim, South Korea
Holy Disappointment and Biological Reconditioning in the Biblical Flood Narrative
Wednesday 10 June 18.00 – 20.00
Delegates make their own dinner arrangements
Wednesday 10 June 20.00
Venue: Maroney Theatre
Aurelia Baumgartner, Performance, Catch me if you can! - Eurydice 2012 reloaded
Thursday 11 June
Thursday 11 June 9.30 – 11.30
Founders Hall
Keynote
Aurelia Baumgartner, Germany
Catch me if you can! - Eurydice 2012 reloaded
Chair: Daniel Meyer-Dinkgräfe
Thursday 11 June 12.00-13.00
Founders Hall
Plenary Session
Thomas Phillips and Ken Kirschner
“Constant Craving Has Always Been:” Liminal Love and Germinal Consciousness in Sarah Kane’s Crave
Chair: Daniel Meyer-Dinkgräfe
Thursday 11 June 13.00 – 14.00
Callahan Center
Lunch and Book Stalls
Thursday 11 June 14.00 – 16.00
Parallel sessions 3
Panel 11
Topic: Identities Venue: 6214 Chair: Benjamin Wood
Gerard Woodward, UK
The Remembered Self and the Imagined Self: Fiction and the Unreliable Consciousness
Doaa Sayed Abdel Azim, Egypt
Nostalgia in Ghada Karmi’s In Search of Fatima and Lucette Lagnado’s The Man in The White Sharkskin Suit
Benjamin Wood, USA
Reading Between the Lines: The Functions of Poetry in a 19th-Century Tibetan Autobiography
Ranjan Kumar Sinha, India
Female Consciousness in the poems of Kamla Das
Panel 12
Topic: Genres across the World Venue: 6403 Chair: Timothy Dugan
Bode Ojoniyi, Nigeria
Consciousness and the Simulation of Patterns of African Communal Conflicts in King Emene and Ameh Oboni the Great
Phil Ndlela, South Africa
Untutored, Unlettered, and Insurgent: The Case of Sojourner Truth
David Lipton, USA
Ageism, Spirals of Silence, and the Publication of Consciousness-Induced Ideas by Mid-Nineteenth Century Transcendentalists
Holly Berkowitz, USA
“I know you’re watching me”: Meta-theater and Identity in M. Butterfly and Good Person in Szechwan
Panel 13
Topic: Film (2) Venue: 6402 Chair: Athena Devlin
Sven Weidner, Austria
Male Consciousness – Male Identities: Ambivalent male characters in the US-American Independent Cinema of the 1990s/2000s years
Thomas Wardak, UK
Reading Authority: Integrating Authorial Considerations into a Strategy of Narrative Response”
Yetunde Akorede, Nigeria
Gendered Consciousness: the assumed and the realistic Igbo and
Yoruba woman in Nigerian selected drama texts and popular home
videos.
Panel 14
Topic: Acting Venue: 5403 Chair: Suzanne Forsberg
Jerri Daboo, UK
‘The Mindful Actor: examining Buddhist practice as a training for actors’
Jimmy Patrick Groce, USA
Lost in Translation
Anna Renée Winget, USA
Uni(versi)ty in Diversity: Performing Utopia in Higher Educational Institutions
Thursday 11 June 16.00 – 16.30
Callahan Center
Break and Book Stalls
Thursday 11 June 16.30 – 18.00
Parallel Sessions 3
Panel 15
Topic: Joyce and Woolf Venue: 6214 Chair: Gregory F. Tague
Shigeo Kikuchi, Japan
James Joyce’s Creation of Free Flowing Thoughts across Characters’ and Reader’s Boundaries of Consciousness
Vittoria Rubino, USA
The Representation of Subjective Reality in Modern British Literature
Panel 16
Topic: Shamans Venue: 6403 Chair: Daniel Meyer-Dinkgräfe
Gloria Dyc, USA
The Darkness Between the Four Sacred Mountains
Sopelekae Maithufi, South Africa
The shamanic dimensions of Pitika Ntuli’s art
Panel 17
Topic: Landscapes Venue: 6402 Chair: Stefan Spezio
T. Mera Moore Lafferty, USA
Adele Ne Jame: The Female Subject, Consciousness, and the Wild Spirituality of Nature
Simon Grennan, Australia
Antisubjectivism and the (spectral) return of consciousness in Landscape research
Kate Hunter, Australia
All My Voices: Remembering and Imagining Through the Devising Process
Panel 18
Topic: Japan Venue: 5403 Chair: Dustin Hellberg
Liala Khronopulo, Russia
Imagination as an Artistic Method and a Source of the Plots in Short Stories of Contemporary Japanese Writers Akagawa Jirō and Atōda Takashi
Lu Chen, China
A study on "hometown" consciousness in the dramatic poem of Tokoku Kitamura
Thursday 11 June 18.30 – 20.00
Delegates make their own dinner arrangements
Thursday 11 June 20.00
Venue: Founders Theatre
Kimmika Williams-Witherspoon, Performance: Legacy: Lessons from the Other Side of Love
Friday 12 June 9.30-11.30
Founders Hall
Keynote Lecture
Kimmika Williams-Witherspoon, Temple University
Legacy: Lessons from the Other Side of Love
Chair: Daniel Meyer-Dinkgräfe
Friday 12 June 11.30-12.00
Callahan Center
Break and Book Stalls
Friday 12 June 12.00-13.00
Founders Hall
Plenary Session
Marc Silberschatz, University of Sunderland, UK
Gaming the System: Minimizing Divided Consciousness through Psychophysical, Interactive Play
Friday 12 June 13.00 – 14.00
Callahan Center
Lunch and Book Stalls
Friday 12 June 14.00 – 16.00
Parallel Sessions 5
Panel 19
Topic: Experiments in Theatre, Novels and Film
Venue: 6214 Chair: Sven Weidner
Ji-Ching Hsiung, Taiwan
Husserlian Intentionality in Nabokov’s The Real Life of Sebastian Knight
Laura Hatry, Spain
The
Existentialism of Roberto Arlt’s The Seven Madmen and its
cinematic adaptation
Alyaa Abdulhussein Naser Al Shammari, UK
Kereem Chitheer’s The Masks: An experimental theatre from Iraq
Damla Bulbuloglu, Turkey
Cross-Cultural Literary Consciousness in Gabriel Garcia Marquez’s One Hunderd Years of Solitude and Cengiz Aytmatov’s White Steamship.
Panel 20
Topic: Rebellious Theatre Venue: 6403 Chair: Deinya Phenix
Sanjay Kumar, India
Fractured Consciousness: Strife-torn Performances in Kashmir, India
Aondowase Boh, Nigeria
Theatre for Development and Political Consciousness among Nigerian Electorates: Lessons from Tse-Agberagba Workshop
Deinya Phenix, USA
Race consciousness, Double Diaspora, and Baianidade: Observations from an Epic Global Party
Panel 21
Topic: Art Venue: 6402 Chair: Stefan Spezio
Rebecca Traynor USA
Hiding behind glass: The phenomenological aesthetic and the subject-object split
Nava Sevilla Sadeh, Israel
A Divine Wounded Body: The Contribution of Classical Reception Studies Methodology to the Discourse of Body Representations in Contemporary Art
Jennie Cain, USA
From Dance to Ornament: The Modernist Theories of the Acanthus Leaf Motif of Alois Riegl and Rudolf Steiner in Light of Anti-Naturalist Modernist Art Historical Discourse and Steiner’s Theory of the “evolution of consciousness”
Panel 22
Topic: Shakespeare Venue: 5403 Chair: Joe Keener, USA
Joe Keener, USA
Cognition, Evolution, and the Implied Space of Shakespeare’s Stage
Sophie Duncan, UK
Changing consciousness through objects in Shakespeare’s Othello
Tommy Cosgrove, USA
Hardboiled Mis-recognition: The Shakespearean Noir Explains Consciousness