Consciousness, Literature and the Arts
Archive
Volume 2 Number 1, April 2001
_______________________________________________________________
Using
Artistic Expression to Overcome Computer Anxiety: A Productive Partnership
by
Most people who choose social work as their career do so because they are
attracted by the possibility of being of assistance to others.
In their day to day work, it is true that social workers spend much of
their time hearing about the needs, the challenges and the structural barriers
which make it difficult for individuals and communities to attain the same
quality of life that many of us enjoy.
Social workers are taught to view individuals with problems within an
environmental context which itself contributes to certain members of society
being disadvantaged.
Through the use of problem-solving skills, social workers accompany their
clients toward enhancing capacities on a personal level (Gibelman,
1998). Social workers also contribute to societal changes which aim toward the
creation of a more just and humane society (Mullaly,
1993).
The
introduction of the computer to the workplace has transformed the daily working
lives of all social workers.
Some of those changes have been extremely positive.
For example, it is now possible to attain information on various problems
and effective strategies for dealing with many issues very quickly.
This results in a higher quality of service toward clients.
Case
records can now be kept in a much more organized system, and the need to input
data through a keyboard has put an end to problems of illegibility of case
notes. Also,
communication with colleagues and supervisors can be more time efficient thanks
to electronic mail which invites greater efficiency in sending requests and
receiving feedback.
Other
changes which have occurred as a result of the integration of computer
technology into the world of social work have brought about a more negative
impact on both workers and clients.
Confidentiality, a concept which is in the forefront of the Social Work
profession’s Code of Ethics and which is essential to creating an atmosphere
of trust between client and worker, is more difficult to ensure when other
service providers have the potential to gain access to file notes through
computer systems.
In giving up the traditional file cabinets with lock and key in favour of
the computer file storage system, the profession has forfeited absolute
assurance of confidentiality.
Another
negative impact of the heightened use of computers by social workers is the
reality that an enormous amount of time must be spent inputting data and
responding to the hordes of e-mail messages which are sent, some which are
relevant and some which are not. Workers who have not had opportunities to gain
keyboarding skills can waste long hours typing responses and case notes, while
the personal contact with clients on their caseload suffers. The
social work skills in interpersonal communication, conflict resolution and
problem solving sit idle while the worker communes with a computer screen
instead.
There
are many other advantages and disadvantages to the infiltration of computers
into the work lives of social workers, however in this paper I will focus on the
fears and anxieties with which many social workers greet their office computer.
I will first explain the context within which a colleague and I became aware of
a disdain for computers which inhabits many students in the Bachelor of Social
Work program at our university.
Next I will describe how a classroom assignment which invites the
students to use and display creativity helps them to face up to their fears and
anxieties. Finally,
I will refer to several writers who provide a theoretical foundation which
supports the use of creativity and metaphors to reveal personal levels of
meaning.
Social
Workers and their fears of computer technology
Sandra
deVink, a colleague and faculty member of the Department of Social Work at St.
Thomas University, Fredericton, New Brunswick Canada, has taught a course in
field placement preparation (the practical component to the curriculum) for
Bachelor level Social Work students for several years.
In the fall of 1999, we co-taught the course.
One of the assignments asks students to identify one area of strength and
one area of weakness within themselves which may impact on how they practice
social work. Some
of the areas commonly selected as both strengths and weaknesses are time
management skills, self-care, public speaking, communication, and technology.
In the class we were teaching, the predominant area of weakness chosen
was technology, with a decided focus being computer technology.
This strong bias toward associating computer technology with an area of
weakness has consistently surfaced in the other classes which Professor deVink
has taught over the years.
To
those who might find fear or loathing of technology surprising or amusing among
human service professionals, the literature provides evidence that this
phenomenon is more widespread than in the realm being described.
Kren and Christakes (1988), for example, in a
section of their book entitled “The Scholar and the Fear of Technology”,
write:
Among scholars
of the humanities a prevailing self-created stereotype portrays the scholar as
an intellectual who must demonstrably be incompetent when it comes to practical
activities. This view includes an outspoken hostility towards technology,
perceived in some sense as dehumanizing. This
attitude has led to a rejection of typewriters for writing, a rejection of
cameras, and now to a rejection of microcomputers. Some scholars take an
inordinate pride in statements that the computer is above and beyond them, a
soul-destroying instrument not fit for truly creative work.” (p. 21).
Likewise, in an article discussing the computer’s value in long-term
care facilities for the elderly, Tedrink & Green
(1995), acknowledge that “For some staff it creates an immediate phobia, and
the thought of older residents wanting to learn to operate a computer is a
notion hard for many to imagine” (p. 161).
The authors go on to discuss the experiences of an activity professional
in an institution, describing her experience in the following way:
“Initially
her feeling toward the department’s new computer was one of trepidation. With
practice and a plan of gradual, incremental steps and built-in success, Sortais
was able to overcome her fears and view the device as an indispensable part of
her daily routine....It was shown that activity directors can also put the
computer to good use in care plans, charting and progress notes, and in
tabulating participants’ records. Letters, thank-you notes, and other routine
forms of correspondence, posters and banners, and standard word-processing
capabilities are additional uses...” (p. 162).
The
Poster assignment
The
students were required to create a poster which would enable them to talk about
their area of weakness.
They used symbols, images cut out of magazines, hand-drawn sketches,
words and colour to depict the emotions associated with using computers.
Some of the images are quite humourous, but reflect the deep frustration
which they experience. In one case a student named the monster in her computer
“Technologeeiahh...” and said he was being held hostage in the internet,
thus affecting anything she tried to do with it.
Another student included “Under Construction” signs to indicate it is
an area she is working on, while another portrayed someone with a hammer and the
related message was “This is what I feel like doing to technology!” Another
student attached a fly swatter and explained that it is her weapon for things
that “bug” her, like computer technology! Other imagery that was used in
relation to how students felt about computer technology were dark clouds, roller
coasters and tangled webs.
In
spite of all of the metaphorical representations which reflect frustration and
fear with computers, students almost always concluded their presentation on a
positive note.
Most identified achievable goals for themselves, and expressed an
attitude of wanting to master computer technology.
One student asserted that in spite of challenges she faced in dealing
with the computer, she was committed to maintaining an attitude of wanting to
learn. Another student concluded her presentation by stating that she was ready to "feel
the fear but do it anyway”, and was determined to overcome a paranoia that she
could break something on her computer. Others admitted that while they did not
feel a kindred spirit with computers, they did recognize their need to grow to a
place where they could use it to their advantage.
Theoretical
validation for the metaphorical presentation of personal meaning
What
is so significant about inviting students, or any group of people, to use
creativity to express their feelings and fears, as we have done with social work
students around the issue of computers? One straightforward response is that as
human beings, many of us are extremely comfortable expressing ourselves through
means other than that which is most privileged: the spoken word.
For some, writing out thoughts and feelings is an experience which lends
itself much more easily to a flow of meaning than when the same individuals
would be asked to speak.
Using images, symbols and metaphors takes that premise another step
further, and permits one’s inner world to attain a place on center stage.
Offering pictures and drawings about how we feel creates a more amenable
and casual atmosphere within which students at least, (and there is no reason to
doubt that it would be true for the rest of us) are better able to share from
their own experience.
MacCormac (1976), in his work Metaphor
and myth in science and religion, acknowledges the historical devaluing of
metaphor as a vessel for meaning and knowledge.
He provides a context, however, within which the use of metaphor and
symbolism can regain its credibility, when he writes: “Since theology and
science deal with mystery — we will never fully know either the ultimate
purpose of life or the ultimate nature of the world — the very act of giving
an explanation will be imaginative and creative in both cases.”
It follows that encouraging students to express themselves in the
“imaginative and creative” ways described earlier in the paper are
justifiable — in the absence of concrete absolute truths and absolute
realities of human experience, there is already a fertile terrain within which
to plant seeds of creative expression.
Many students have commented that the creative process involved in
developing the posters was also of value to them.
It is useful to consider that both the products created and the processes
which occur as one engages in selecting images and organizing them in an
artistic fashion are not pre-determined nor do they result from a conscious
procession of thought.
Joas (1996) speaks of Dewey’s conceptualization
of creativity in this regard: “...we do not imagine artistic creation as the
objectification of contents of meaning which are already present in finished
form in the inner world of the creative subject...Rather, Dewey sees art as
evolving out of a collision between sedimented, pre-cognitive experiences and
reality” (Joas, 1996, p. 141). This would seem to
indicate that part of the significance of the students being required to
creatively express their fears and weaknesses is that the activity may conjure
up some sentiments and recognitions of which they were not consciously aware.
Through facing our fears and anxieties as they become expressed in a
creative process, we are far better prepared to develop strategies with which to
greet them. Professor deVink and I witnessed this assertive stance in the
conclusions drawn by several students.
As
a faculty which prepares future social workers, one of our goals is to encourage
continual self-examination and constant self-improvement.
Speaking on expression as a metaphor for creativity, Joas
(1996) writes:
We
accept a greater or lesser part of what we generate spontaneously as an
appropriate expression of our being and accord this expression a level of
recognition which we deny to other parts.
It is only in the same process in which we realize ourselves that we
become aware of the self that we are realizing” (p. 81).
Assignments and exercises which invite greater expression during the
educational process can serve as vehicles for the students to better know the
selves who they are becoming. Such activities can also lead to the confidence
and courage to face up to fears and anxieties around areas of weakness, so that
students are better supported on their journeys to becoming professional members
of their chosen careers.
Gibelman,
M. (1998). What social workers do.
Washington, DC: NASW Press.
Joas,
H. (1996). The Creativity of action.
Chicago: The University of Chicago Press.
Kren,
G. & Christakes, G. (1988). Scholars
and personal computers. New York: Human Sciences Press, Inc.
MacCormac
(1976). Metaphor and myth in science and
religion. Durham, North Carolina: Duke University Press.
Mullaly,
R. (1993). Structural social work: Ideology,
theory, and practice. Toronto: McClelland & Stewart.
Tedrick,
T. & Green, E. (1995). Activity
experiences and programming within long-term care. State College, PA:
Venture.